PANEL DISCUSSION (EN)
INTIMACY IN TIMES OF DISTANCE

To be intimate can mean being erotically and spiritually connected to other bodies. Intimacy can also mean being connected with other persons, not necessarily in a sexual way, but feeling safe, comfortable, relaxed, free… We are intimate with lovers, friends, family, but also with ourselves.

Pleasure, especially sexual pleasure that is connected to an intimate experience, can be empowering, and so having spaces where one can be intimate is liberating. Spaces, architecture, and parks can offer certain intimacy through their inviting atmospheres as well as their anti-discriminatory politics. Many factors play a role in enabling and approaching intimacy, so, for example, in the case of sex or care work in the migration experience, intimacy might be understood differently than in other context.

What role do exotisation and power dynamics play in terms of intimacy for migrants in “post”-colonial societies? What has feminist porn, post-porn, sex positive anti-exploitative pornography brought or changed in regards to our understanding of intimacy and space?

In times of pandemic, and after new definitions of what intimacy signifies, how has body contact been redefined? How much is the minimum proximity and how much is too much…? And lastly, considering distribution and accessibility to tests and vaccines, who can afford to take more risks to be intimate, and who can not, depending on which side of the globe they are?

GUESTS:
Maque Pereyra is a Berlin based multidisciplinary artist, psychologist and pleasure/spiritual activist. In 2018 she finished the MA SoDA program at HZT in Berlin. The focus of her work is on healing, empowerment through pleasure and spiritual activism, decolonial/cuir aesthetics-practices and knowledge production/reflection with and from the body.

Barbara Rothmüller (Dr.) works as Sociologist at the Faculty of Psychology Sigmund Freud at the University of Vienna. She leads the project "Intimacy, Sexuality and Solidarity in the Covid-19 Pandemic" and collaborates with the FWF-Project "The Psychological is Political: A Recent History of Feminist Psychology in Vienna".

Leticia Carneiro was born in Brazil and she has a degree in Law and a MA in Philosophy of law. She has been living in Austria for almost 4 years and has been working in the sex&work department at maiz for a little more than 2 years. She is busy every day learning how to unlearn and to question.

iki yos piña narváez funes: Parchita, no binarix, Afrocaribeñx, diaspóricx-transfronterizx. Artist, performer, writer and drawer. Iky researches from within her/their body topics related to Black Caribbean studies, Black radical thought, and Black time. Iky is part of the artistic collective Ayllu.

Moderation
Lia Kastiyo-Spinósa is an editor, writer, artist and organizer. She was born in the Caribbean region and migrated at a young age to the South of the continent where she encountered the reality of being an "other". In 2016, Lia graduated in Publishing from the University of Buenos Aires. Since 2018 she has lived in Vienna while studying her second degree at the Academy of Fine Arts. She coordinates and is part of the editorial team of Migrazine.

 Fine Arts in Vienna.

READING with Jovana Kocić and Nataša Mackuljak 18-19.30 (CET), (EN)

LOOK THROUGH „HOLE IN THE WALL“

HOLE IN THE WALL, a comic by Marija Marjanović and Jovana Kocić Jurić, is a reconstruction of memories of their great-grandmother Olga and her friends, and their secret involvement in the Women’s Antifascist Front of Yugoslavia during the Second World War.

Nataša Mackuljak traces on textual banners and in reference to the history of her ancestors, that of the partisan women who did not give up their hope until an often bitter end.

Within the reading session and discussion, information will be provided of the process of the creation of the works, its meanings and significance in a broader context.

Jovana Kocić is a teacher of Serbian language and literature, writer and copywriter from Belgrade. She graduated from the Faculty of Philology at the University of Belgrade. In 2017 she moved to Canada, where she has been working as a teacher and writer for many clients and art projects.

Nataša Mackuljak is a performer, multimedia artist, social worker, curator and cultural producer. She is currently a PhD candidate at the Academy of Fine Arts, Vienna, with the thesis On Historical Continuities between Anti-Fascist Women's Action and Feminist Performance Art in the Former Yugoslavia. For three years (2016/17/18) she co-curated and co-managed the Transcultural Festival for Art and Activism-Wienwoche where she is currently engaged as executive director.

WORKSHOP mit Nora Osayuki Osagiobare 12-16:00 (CET) 

SCHREIBENIN DER FREMDE
Schreibwerkstatt für BIPOC und Postmigrantische Menschen

Literarische Texte von BIPOC (Black, Indigenous and People of Color) und Postmigrant*innen werden schnell in die Special-Interest-Schublade gesteckt,
sogar wenn sich die Autor*innen nicht explizit mit Identitätsfragen auseinandersetzen. Außerdem haben sie sich einem homogenen Markt unterzuordnen, der die inhaltlichen und formellen Möglichkeiten, über ihre Erfahrungen zu schreiben, begrenzt. Gerade deshalb ist es wichtig, dass BIPOC und Postmigrant*innen selbst schreiben und sich so den diversen Fremdzuschreibungen widersetzen. Im Workshop «Schreiben in der Fremde» versuchen wir, gemeinsam das Vertraute zu bilden und schreiben über was auch immer wir wollen. Mit verschiedenen Techniken stöbern wird nach Unerzählten, das an die Oberfläche drängt und sprechen danach über die entstandenen Texte, über uns, und über das Schreiben. Es werden außerdem Auszüge aus Romanen präsentiert, in denen es Autor*innen auf einzigartige Weise schaffen, über ihre Erfahrungen zu schreiben, ohne in die Falle einer klischierten Darstellung zu geraten. So werden wir die Vielfalt an Möglichkeiten, wie sich Geschichten erzählen lassen, ausleuchten. Für den Workshop ist keine Schreiberfahrung nötig!

Begrenzte Teilnehmer*innenzahl
Anmeldung bis zum 12. Jänner unter redaktion@migrazine.at

Nora Osayuki Osagiobare ist Autorin und wurde als Tochter einer Schweizerin und eines Nigerianers in Zürich geboren. Sie lebt in Wien und studiert an der Angewandten. Sie sucht nach neuen Formen des literarischen Erzählens und verwendet dazu Klischees, Umkehrungen, Satire und Ironie. Gerade schreibt sie an ihrem ersten Roman «Manner: Sturm der Triebe».

 

migrazine.at

Subscribe to our Newsletter
Abonniert unsere Newsletter

Subscribete a nuestra Newsletter
https://www.migrazine.at
Estamos trabajando...

MORE MIGRAZINE CONTENT COMING SOON!
Wir werden bald mit euch neue Beiträge mitteilen!

 

Wer ist teneke?

teneke als unabhängiger Verein, organisiert und plant Projekte, die sich an der Schnittstelle Kunst, Kultur und Wissenschaft bewegen. Grenzüberschreitende Dialoge zwischen den Künstler:innen, Wissenschaftler:innen, Autor:innen stehen im Vordergrund.

Impressum
Verantwortliche: Ezgi Erol

teneke- Verein zur Förderung von Kunst, Kultur, Wissenschaft
IBAN: AT83 2011 1843 4936 4400
BLZ: 20111
BIC: GIBAATWWXXX
ZVR-Zahl: 1443773851
Email: redaktion@migrazine.at

Ⓒ TENEKE 2022

  • PROJECTS
    • Veranstaltungsreihe I
    • Veranstaltungsreihe II
    • Krieg kuratieren I
    • Krieg kuratieren II
  • ABOUT
    • Team
    • Über uns
  • CONTACT
  • PROJECTS
    • Veranstaltungsreihe I
    • Veranstaltungsreihe II
    • Krieg kuratieren I
    • Krieg kuratieren II
  • ABOUT
    • Team
    • Über uns
  • CONTACT